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  #31  
Old 08-01-2008, 02:10 AM
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Originally Posted by powerdraw View Post
MikeO,

could you explain how one works to get from impact frame 8 to an impact look frame 10? what motion would be required? This would be a faulty pivot i guess? how would you go buy explaining the required motion?

very interesting analysis bt w!
In Toolish's situation- if he didn't straighten the right arm early and flatten the right wrist then he'd have to rotate more to get to impact. But at the same time- if he's trying to hit the equator or back of the ball- then he can't continue the pivot motion- so he stops it to let the clubhead pass or catch up to the hands. Those are two ideas in relation to his movement- but really there are many, many possible situations for any particular golfer - so you have to look at your movement and figure out the puzzle.
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  #32  
Old 08-01-2008, 07:56 AM
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Originally Posted by Mike O View Post
Your talking open in relation to the eventual "end target"- absolutely. But for a draw the leading edge would need to be closed to the clubhead path. All a little outside of my comments on Toolish.

What is the disease of the flat right wrist? I answered that in the posts above. However, if you'd a different answer- scientist now believe that eating boogers- can cause the flattening of the right wrist.
Have you been drinking out of the toilet bowl again?

Please watch the head movement in the face on sequence . . . I think that's where it's coming from. The head movement would also be a symptom so I'd say it's via the pivot components. BUT this is is a VERY VERY nice motion.
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  #33  
Old 08-01-2008, 09:19 AM
Toolish Toolish is offline
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Originally Posted by okie View Post
Toolish,

Great stroke! I like the way you do not go beyond top.

It seems as though the right wrist flattens a bit at impact. Considering you seems to use a 10-9-B address, perhaps sensing the amount of right wrist bend and keeping that amount (as best as you can) until both arms straight would help.

Another observation: You seem to move off the ball a bit (a lot less than a lot of very good players, though.) Do you utilize the right forearm takeaway, or more of a shoulder turn takeaway? I am not adept at telling the difference at this point except to say that a shoulder turn takeaway CAN promote a sway, whereas a right forearm takeaway helps keep the noggin centered and stationary. Check out the pic in the gallery showing Hogan in the follow through. My pet topic right now it the right forearm's angle of approach. If you are not getting stoney compression then you are probably running out of right arm, which will lead to the right wrist bending in order to make contact.

DTL it looked like your shaft is supported by the right forearm, so a lot is done well.

You also mentioned that you come out of your posture...something I think that can be connected to a shoulder turn takeaway. My on plane right forearm simply travels around my rib cage. My shoulders are turned...they do not turn themselves. Check out David Orr's explanation of the RFT.

Be encouraged though...you have a great golf stroke!
trying to catch up on the action in this thread....thanks all for the input!

I don't use a full 10-9-B address...it is sort of bitsa...hands are a bit forward but body is not in a full impact position. I have played around with mid body hands but over time they drift forward again.

I grew up pre TGM using a shoulder turn takeaway but at the moment the feel for me is more RFT than STT, I have also played with a lagging clubhead takeaway which worked well, but have never really got it down. So to answer your question it feels to me like I am using a RFT.
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  #34  
Old 08-01-2008, 09:28 AM
Toolish Toolish is offline
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Originally Posted by Mike O View Post
Thanks HG! Not sure I'm going to use it now but it might help if the thread continues.

Let's start with nice swing! and move on to more valuable information- how to make it better. I'll just give you a couple of ideas of what I would look at if it was my swing- and a couple of guesses of why they might be there, then you can use or not use the information depending on how you see it. I think the value will be in reading between the lines at the approach versus any specific observation.

Naturally or consciously or subconsciously- we all make corrections based on the ball flight and a lot of times those corrections are just compensations for other faulty movements. So if we looked at your swing in regards to what items might cause you to hit it right and what items might cause you to hit it left - here's a list.

Items that may help you hit the ball to the right i.e. prevent a pull left
1) Notice the set up with the last second adjustment of the hips turning to the right
That is more of a squaring of the hips and a forward press...mirror work a couple of weeks ago indicated I had open hips at address so this is a recent addition in an attempt to square the hips and establish some spine angle.
Originally Posted by Mike O View Post
2) I can't tell but I'd guess that your clubface is slightly open - with the clubshaft leaning forward ala impact fix- the leading edge should be "closed" in relation to the shaft angle- it's easy to line up the leading edge to the shaft angle as viewed from above i.e. the player's perspective- creating an open clubface
If anything I have a tendency to set up with the face closed rather than open, although I do sometimes roll it open excessively early in the backswing
Originally Posted by Mike O View Post
3) On the downswing- we have the standing up the first frame or two - I would add that you may have worked on a delayed release or snap release- as this standing up actually allows you to amplify the delayed release- and it's feel - I definitely think you'll need to move away from that to improve the movement.
I have never worked on a delayed or snap release, I have a random release which tends closer to sweep than snap, I have dealt with that. I have in the past had a very bad flip and dip and IO think some of the body movement may tie back to that. It is definately something I am aware of.
Originally Posted by Mike O View Post
4) As a result of the stand up / delayed release- you have very little rotation of the lower or upper body coming into impact
Nice tie in...never clicked to that!!
Originally Posted by Mike O View Post
5) Notice that into the follow through (you can see this on the down the line sequence better) and through to the finish- how the weight gets up on the front of the left foot - enough for the heel to come off the ground and rotate backwards? That weight on the front of the left foot is another rotation preventing move to help you not pull it.
Do you think the weight on the toes and the coming out of posture ties into being too far from the ball at address and therefore having the weight too forward
Originally Posted by Mike O View Post

Now what are the items that you have in the movement that want to cause you to hit the ball left- that all of the above items are compensating for?
1) Tough to see but I get the feeling that you are not really getting the right forearm and body - completely behind the loading motion of the club and therefore you're loading an over the top movement- in which the above items are used to offset.
Bit confused what you mean here...there may be a bit of OTT maybe linked in with the laid off position at the top
Originally Posted by Mike O View Post
2) While you may have worked on the delayed release to get rid of the flattening right wrist movement coming into impact - it hasn't stopped the right wrist from flattening prematurely- and that flattening of the right wrist closes the clubface prematurely- so the delayed release hasn't helped that issue.

You need to start working on putting the puzzle pieces together - by directly correcting the "left issues" and then also inconjunction - eliminating the compensating "right" issues.

Regarding item #2 of the left issues- the flattening right wrist- if you are not doing this you need to make sure that you are "trying" to contact all of your shots with the feel of the clubface contacting the ball above the equator - on a downward blow. Drive a dimple or two up from the equator- Sandwedge halfway up from the equator to the top of the ball and the rest of the clubs based on the clubshaft length- somewhere in between. You never "try" to hit the ball at or below the equator for any non-putting stroke. If you do - you'll have that wrist flattening.
I know I have to hit down and out through the ball...it is my key thought when things start to go bad...knowing it and doing it may be different things though!
Originally Posted by Mike O View Post
Finally, on the face on video- looks like the right hand is off the club at the finish- as the club wraps around your back? Make sure that you retain the grip throughout.
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  #35  
Old 08-01-2008, 09:32 AM
Toolish Toolish is offline
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Originally Posted by Amen Corner View Post
A combination of this.........

Face On

Look at the differences on you left foot between Adjusted adress and Finish.
Start to hit balls with the foot more flared as in finish.

Dtl

Upperbody out of sync with lower.

Make some aquired motions with a tee under your right armpit, and keep it there all the time.

...... I think would help.
The acquired with a tee under the right armpit interests me...is that an attempt to get the rght shoulder down plane and more bend in the right arm through impact. Won't the tee fall out around follow through stage?
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  #36  
Old 08-01-2008, 09:36 AM
Toolish Toolish is offline
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Originally Posted by Mike O View Post
In Toolish's situation- if he didn't straighten the right arm early and flatten the right wrist then he'd have to rotate more to get to impact. But at the same time- if he's trying to hit the equator or back of the ball- then he can't continue the pivot motion- so he stops it to let the clubhead pass or catch up to the hands. Those are two ideas in relation to his movement- but really there are many, many possible situations for any particular golfer - so you have to look at your movement and figure out the puzzle.
I can tell you I try to hit the inside of the ball for sure...maybe I need to work on it some more and tie it in with the body rotation. Sure is all a big puzzle. Running out of right arm has always been a big problem of mine...I have never found my secret to getting more bend there. Might have to start up a to do list for the swing!
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  #37  
Old 08-01-2008, 09:50 AM
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Originally Posted by Toolish View Post
The acquired with a tee under the right armpit interests me...is that an attempt to get the rght shoulder down plane and more bend in the right arm through impact.
Your upper body ( shoulders) are a bit closed at impact. Look where your hips are. This is to try to match them better.

Quote:
Won't the tee fall out around follow through stage?
It could, but doesnt have to.


Dont forget about the foot which will help the above.
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  #38  
Old 08-01-2008, 10:10 AM
powerdraw powerdraw is offline
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Originally Posted by Mike O View Post
In Toolish's situation- if he didn't straighten the right arm early and flatten the right wrist then he'd have to rotate more to get to impact. But at the same time- if he's trying to hit the equator or back of the ball- then he can't continue the pivot motion- so he stops it to let the clubhead pass or catch up to the hands. Those are two ideas in relation to his movement- but really there are many, many possible situations for any particular golfer - so you have to look at your movement and figure out the puzzle.
interesting...but then, to keep the pivot going, he must aim where to keep it going throughout? inside aft? top of equator? front of the ball?

thanks!
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  #39  
Old 08-01-2008, 10:40 AM
KAPLOWD KAPLOWD is offline
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Very nice swing.

Your pivot and rotation are fine. The only thing I'd suggest is a change in your posture. More specificlly your neck is in a straight line position like Tiger and Adam Scott. I'd consider having a little bend in you neck like Nicklaus and Hogan. Downloaded your video and used the V1 software. Looks like your shoulder turn is putting too much pressure on your neck which is pulling your head slightly down and back. You might be reacting slightly to this by standing up.

The other suggestion is how you waggle. Your using the Hogan waggle. I used this for many years until watching the Jeff Hull and VJ videos. Now I trace the line with the RF.
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  #40  
Old 08-01-2008, 12:04 PM
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Mike O Mike O is offline
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Originally Posted by 12 piece bucket View Post
Have you been drinking out of the toilet bowl again?

Please watch the head movement in the face on sequence . . . I think that's where it's coming from. The head movement would also be a symptom so I'd say it's via the pivot components. BUT this is is a VERY VERY nice motion.
Just me- I'm not really worried about head movement.
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