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Elkington sequence

The Scoring Zone - 100 Yards and In

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  #11  
Old 12-31-2005, 03:22 AM
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comdpa comdpa is offline
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Originally Posted by Yoda
...
Hats off to Steve Elkington and his very fine Golf Stroke!
Geez, that is a wonderful swing analysis based on TGM terminology!
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  #12  
Old 12-31-2005, 06:45 AM
hue hue is offline
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Lynn, Can you give me your thoughts on Elkington's followthrough? To me he is above plane. When I play this type of shot my tendency is to end up in a similar type position but have been working on my basic and aquired motions with all hinge actions being on plane. I am looking forward to your's and vj's short game videos to give me a better idea what I SHOULD be doing around the green.

Last edited by hue : 12-31-2005 at 06:57 AM.
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  #13  
Old 12-31-2005, 09:03 AM
strav strav is offline
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Originally Posted by Yoda

Hats off to Steve Elkington and his very fine Golf Stroke!
Thanks Yoda for that detailed analysis. As usual nothing but top-flight. Once again you have given us much to study and absorb.
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  #14  
Old 12-31-2005, 11:40 AM
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Wow! That is a terrific piece of analysis. Concise and has one heck of a lot of info.

This will make for a good study.

Thanks...
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  #15  
Old 12-31-2005, 11:44 AM
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Yoda Yoda is offline
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Encore!
Originally Posted by Tobell

Two pros deftly performing their craft, thanks to both Elkington and Yoda.
Originally Posted by Comdpa

Geez, that is a wonderful swing analysis based on TGM terminology!

Originally Posted by strav

Thanks Yoda for that detailed analysis. As usual nothing but top-flight. Once again you have given us much to study and absorb.
Originally Posted by Martee

This will make for a good study.

Thanks, Tobell, Comdpa, Strav and Martee. I do think this is a worthwhile TGM Study, so I fleshed out certain parts and added additional references this morning. Consequently, early readers may wish to review it again.
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  #16  
Old 12-31-2005, 04:10 PM
Rob2197 Rob2197 is offline
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?
Yoda,

Oh great one, I'm a little confused. I don't even pretend to know as much about TGM as you do. In fact, I'm just a rank beginner myself.

But I thought that one of the main dangers of TGM was trying to mix in components of swinging with hitting and vice versa.

That being said, Elkington has a very early wrist cock in this pictures that is vindicative of swinging style.

But a swinger should turn the shoulders around a pivot point instead of using arms on downswing, right?

Looks like both swinging on takeaway but more of hitting on downswing. Either way there is very little shoulder turn.
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  #17  
Old 12-31-2005, 04:14 PM
Rob2197 Rob2197 is offline
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Oops!
Sorry, just noticed the front on view. It shows that Mr. Elkington does indeed have a good shoulder turn on the follow through. Please forgive my ignorance.

So I'm assuming that this is a shot around the green performed by a swinger. Hmmm, how it differ for a hitter? I'm assuming less wrist cock off the takeaway, but what else if anything should be different.
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  #18  
Old 01-01-2006, 12:27 AM
4 barrels 4 barrels is offline
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Nice explaination Lynn, most instructors meerly describe his swing as rythmical etc. etc. You have explained why in pointing out the components and variations used to achieve his pattern and their relationships within the stroke.

We would all rather hear this than the garbage tv announcers get away with saying.
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  #19  
Old 01-01-2006, 01:25 PM
Rhythm Rhythm is offline
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Nice
Great explanation Lynn! Very educational.

Chris
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  #20  
Old 01-02-2006, 10:12 AM
strav strav is offline
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The Break and Lock
Originally Posted by Rob2197
..just noticed the front on view. It shows that Mr. Elkington does indeed have a good shoulder turn on the follow through.
Steve plays nearly all chips and pitches with most of the weight on the left foot to ensure a descending blow.
For the higher shots around the green, he uses what he calls the Break and Lock, or the Break/Don’t Break. This method is powered primarily by the shoulders, with a very small hip rotation.
In his words, he breaks or cocks the wrists on the backswing, then powers them forward with the shoulders and hips without uncocking on the downswing or even after the hit. He also maintains that the right hand should never pass the left.
The shoulders in his Break and Lock swing turn a little more parallel to the ground than in the full swing. This gives the club a shallower path and ensures good, crisp contact. (From Five Fundamentals.)
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