Really nice. The thing you cant see from this viewpoint is how far forward his Hips have slid. In so doing he's cleared out a pathway for his Right Elbow to pass with no need to Roundhouse around a stuck right hip. His Right Shoulder is still taking the whole shebang, the fully loaded power package (including the bent right arm) down plane with the Hands and Clubshaft riding the Plane. That is a TSP in all its glory right there. A Downswing Waggle like move but in an actual shot. Imagine him stopping right here and waggling the Right Shoulder up and down , up and down, all the time with the Hands and the Clubshaft on plane. I suppose you could take frames 5 and 6 and make a little animation like that, like a Downswing Waggle. That'd be cool.
His Hips here can be seen to be still leading his Shoulders per 6-M-1. The Downswing Sequence.
__________________ The student senses his teacher’s steadfast belief and quiet resolve: “This is doable. It is doable by you. The pathway is there. All you need is determination and time.” And together, they make it happen.
Really nice. The thing you cant see from this viewpoint is how far forward his Hips have slid. In so doing he's cleared out a pathway for his Right Elbow to pass with no need to Roundhouse around a stuck right hip. His Right Shoulder is still taking the whole shebang, the fully loaded power package (including the bent right arm) down plane with the Hands and Clubshaft riding the Plane. That is a TSP in all its glory right there. A Downswing Waggle like move but in an actual shot. Imagine him stopping right here and waggling the Right Shoulder up and down , up and down, all the time with the Hands and the Clubshaft on plane. I suppose you could take frames 5 and 6 and make a little animation like that, like a Downswing Waggle. That'd be cool.
His Hips here can be seen to be still leading his Shoulders per 6-M-1. The Downswing Sequence.
I can do that animation maybe.....how he clears the right hip, I just order Trolio's book, is that something he gets into for anyone that has read it?
Anybody else see the Square (or maybe slighty Open) Plane Line and ClosedStance Line Combination? And the resultant confused camera angle visual of the Target Line and Flying Wedge alignments at Address?
What are the inherent effects of the Closed Stance on the Pivot (Backstroke and Follow-Through)? And the resultant conclusions on the Motion as a whole?
Anybody else see the Square (or maybe slighty Open) Plane Line and ClosedStance Line Combination? And the resultant confused camera angle visual of the Target Line and Flying Wedge alignments at Address?
What are the inherent effects of the Closed Stance on the Pivot (Backstroke and Follow-Through)? And the resultant conclusions on the Motion as a whole?
Yes that fellow in the distance is his shag boy I bet and as such indicates Mr Hogan's Target line. Meaning the cameraman set up square to his closed foot line giving us somewhat of a parallax view, sadly.
Yes that fellow in the distance is his shag boy I bet and as such indicates Mr Hogan's Target line. Meaning the cameraman set up square to his closed foot line giving us somewhat of a parallax view, sadly.
yea, the camera is definitely positioned a little off...same thing from the face on, its slightly in front at an angle.
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