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how he goes from 5 to 6 is what catches me...here was the picture between the two frames...I have 17 images if anyone wants them emailed.
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Really nice. The thing you cant see from this viewpoint is how far forward his Hips have slid. In so doing he's cleared out a pathway for his Right Elbow to pass with no need to Roundhouse around a stuck right hip. His Right Shoulder is still taking the whole shebang, the fully loaded power package (including the bent right arm) down plane with the Hands and Clubshaft riding the Plane. That is a TSP in all its glory right there. A Downswing Waggle like move but in an actual shot. Imagine him stopping right here and waggling the Right Shoulder up and down , up and down, all the time with the Hands and the Clubshaft on plane. I suppose you could take frames 5 and 6 and make a little animation like that, like a Downswing Waggle. That'd be cool.
His Hips here can be seen to be still leading his Shoulders per 6-M-1. The Downswing Sequence. |
I loved the heel deep divots he was taking
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Thanks , that would be great to see. And yes VJ talks about Hip Slide and a bunch of other great stuff.
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Thanks man! |
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Pre-Shot Constraints
Anybody else see the Square (or maybe slighty Open) Plane Line and Closed Stance Line Combination? And the resultant confused camera angle visual of the Target Line and Flying Wedge alignments at Address?
What are the inherent effects of the Closed Stance on the Pivot (Backstroke and Follow-Through)? And the resultant conclusions on the Motion as a whole? :golfcart2: |
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Here is a quick face on sequence
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