When I first started looking at Yoda's videos, I noticed his very deliberate hip slide as a feature of his swing , and position images at impact.
Yoda, can you describe the evolution of this move for you, and if you can remember when you realized its importance. Do you believe that you use a little extra leftward hip bump at set up?
I assume you slide to fix and the hips are slightly open. somehow I never thought about slide to fix. Please describe the hip action and location at the various stations. thanks
She's got Betty Grable's eyes but he's got Benjamin Buttons hips.
Originally Posted by Scottgas2
When I first started looking at Yoda's videos, I noticed his very deliberate hip slide as a feature of his swing , and position images at impact.
Yoda, can you describe the evolution of this move for you, and if you can remember when you realized its importance. Do you believe that you use a little extra leftward hip bump at set up?
Thanks,
Scott
Scott
I think you are chasing one of Ole Yodas best components to my mind. I love the way he uses those things. Not bad hips for a 600 year old fella.
I have a feeling that for him, everything that happens below the Hips is the sole result of his Hip Action.........no Knee Action etc. The Legs support and steady the Centered Head, thats it.
I hope Yoda answers this in detail. It might be a long one with some of Golfs greats mentioned. A game with Bert Yancey, a revelation about Billy Caspers takeaway, a 25 years ahead of its publication knowledge of Hip Slide as portrayed in the 7th edition etc etc.
Or maybe I got it all wrong again. Maybe its just "two turns and a swish" after all. Spin em hard and keep them ahead of the hands maybe? No overtaking right Yoda?
I assume you slide to fix and the hips are slightly open. somehow I never thought about slide to fix. Please describe the hip action and location at the various stations. thanks
This is a great question too David. Yoda has revealed previously that he is "relatively squared away" at fix and at impact... Not what a lot of todays instructors would expect from such a superlative swinger. No "two cheeks" in evidence from DTL or very little of them. Curious.
All of which makes you wonder how he prevents any slack from invading his Radius, or Primary Lever Assembly? How can he get to both arms straight?
I have a theory regarding his Delivery Path but ........ it's inadmissible conjecture in this courtroom.
Hopefully Yoda will make a submission for the record shortly.
Yoda is 'on assignment' and asked me to post a comparison of his Startup with Casper's, especially with regards to the lower body pivot -- the right leg 'brace', solid left foot and bending forward left knee ...
Great bam bam. I have on my bathroom mirror a print out of yoda and Hogan comparing the downswing to the point where Yoda's hands are even with his right thigh. The club shaft is parallel to the ground at this point sustaining the lag, otherwise the pictures are the same. I think the the right leg is slightly more foward. The foward(to the left) brace of the right leg reminds me of the photo in Percy Boomer's book of address. I am trying to remember my lesson with Yoda. Did he have me move my hips more to the left at address or were they centered?
Golly, if I could have my wish when I blew out my 70th birthday cake candles last week, it would be to have the same shot showing the hips and legs, showing startup but also top down to follow thru. Also it would be nice to see a view from the top showing only the hips and hands relationships from release to follow thru. I have trouble understand the sequencing of the hands arms and hips and their relationships. The concept of pulling, dragging and then driving is confusing to me. Of course for the hitter it must be simple - you just hit it. I guess that is why those that are challenged by complexity chose that way!
I would appreciate it if you all could lay it all out for an old guy like me.
Great bam bam. I have on my bathroom mirror a print out of yoda and Hogan comparing the downswing to the point where Yoda's hands are even with his right thigh. The club shaft is parallel to the ground at this point sustaining the lag, otherwise the pictures are the same. I think the the right leg is slightly more foward. The foward(to the left) brace of the right leg reminds me of the photo in Percy Boomer's book of address. I am trying to remember my lesson with Yoda. Did he have me move my hips more to the left at address or were they centered?
Golly, if I could have my wish when I blew out my 70th birthday cake candles last week, it would be to have the same shot showing the hips and legs, showing startup but also top down to follow thru. Also it would be nice to see a view from the top showing only the hips and hands relationships from release to follow thru. I have trouble understand the sequencing of the hands arms and hips and their relationships. The concept of pulling, dragging and then driving is confusing to me. Of course for the hitter it must be simple - you just hit it. I guess that is why those that are challenged by complexity chose that way!
I would appreciate it if you all could lay it all out for an old guy like me.
Huh! Old guy my a$$.
Happy, belated, Birthday David and congratulations on finally shooting a 70.
When I first started looking at Yoda's videos, I noticed his very deliberate hip slide as a feature of his swing , and position images at impact.
Yoda, can you describe the evolution of this move for you, and if you can remember when you realized its importance. Do you believe that you use a little extra leftward hip bump at set up?
Thanks,
Scott
There definitely was an evolution, Scott. Fun stuff involving a Bahama blue Volkswagon, a dark green sweater and a Sinatra tune called When I Was Seventeen. I'll be back after this and next Masters week.
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